Of course, I was at Flannery O’Connor’s funeral—or so my mother assured me. Not that I remember, since I was just turning six at the time, but in a small town like Milledgeville with only one Catholic church, we all knew each other. She is the only truly famous author with whom I have had a familiar and long-term relationship, and I have absolutely no memory of her.
I do remember Andalusia, though, probably because of the peacocks. My mother and the other ladies of the church had an outing at Andalusia, and the little ones were allowed to come along. Children remember fantastical animals like peacocks, and sheer terror cemented them into my brain. I was afraid of most animals when I was young.
My brother recalls Ms. O’Connor very well. He is ten years my senior and was an altar boy at Sacred Heart Catholic Church. He clearly remembers watching her from the front of the church as she made her difficult way up the aisle on her crutches. As she became aware of his attention, she turned and fixed him with a piercing gaze. He blushed and looked down. Allan knew who she was because they studied her work in his high school.
My parents, however, were vaguely aware of her fame, but since they were not literary people, it did not faze them. My mother was more acquainted with Flannery’s mother, Regina O’Connor, who was a formidable woman held in high esteem—and perhaps a bit of awe—by the other women. At an Altar Society (women’s auxiliary) meeting one fall, the ladies were planning the church’s Thanksgiving celebration, and they asked for volunteers to bring roasted turkeys. My New England mom was an accomplished cook, so she volunteered to bring one, and Regina huffed, “What does a Yankee know about cooking a turkey?”
Mom was much younger than Ms. O’Connor, so she said nothing, but I’m sure she was thinking, “Plymouth? Pilgrims?”
When the celebration day arrived, Mom walked into the parish hall to the sound of Regina O’Connor fussing over her pale bird, “I don’t know what happened. It just wouldn’t brown.” Mom tried not to flourish triumphantly as she placed her own perfectly golden turkey right next to it. She told that story gleefully for decades.
With all of this backstory, one would think that I would have become quite the expert on Flannery O’Connor’s literary works, but I demur. I have read and admired many of her stories, and, along with most scholars, I wonder at the marked “otherness” of her protagonists. Their deep flaws reveal her acquaintance with the darkness of the human soul and our helpless need for redemption. Her setting recalls a Southern landscape that has almost disappeared, which is perhaps a redemption of its own.
Flannery O’Connor. She is a part of my history.